Does data need to be wetter? What would happen if policy walked itself into soily existence?  Why is ‘love’ a dirty word in science? If we could sonify the evidence, whose voices might we hear clearer? What if the environmental department was an art studio?

The Department of Artecology is an artist-led experimental platform bringing together diverse practitioners to explore different approaches to ecological stewardship in England.

This is not a ‘speculative’ office but a functioning space for experimenting and sharing around live issues impacting the sector. Topics have included: Resonating with research, listening as a tactile eventCooked data and being-walked as a form of researchEmotional geography and love in the time of research and KPIS.

Participants have included policymakers from DEFRA, queer ecologists from Cambridge’s CRASHH laboratory, independent farmers, feminist geographers, brand strategists working in the sustainability sector and arts curators.

We take part in thinking-doing experiments; bringing dry texts to life in tactile and sensory ways; engage with theorists to tickle the thinking and drawing on our rich reservoirs of lived, embodied experiences. 

Upcoming club meetings

FAQ’s

Register your interest

Details of #5 will be announced soon, for now if you are interested in joining a future session please register your interest here.

Session packs

#1 Resonating with research, listening as a tactile event

Thursday 7 November 2024

In ecology, there is no shortage of ‘data’ - we are drowning in it and are are constantly tasked to find more. How do we make that data (((move)))? How do we make that research more (((resonant)))?

In this session we’ll… explore sound as a material for making words, data and research more (((relational))) - listening is after all, something you feel through your whole body. It is (((touch at a distance))). 

We’ll explore audio as a conceptual tool for illuminating the gaps, giving voice to the unheard and storytelling otherwise. 

We’ll touch on novel formats like the (((sonic essay))), (((audio fiction))) and (((experimental radio))) and consider how we can create them from amateur perspectives.  

We’ll think about how the information in our (((sonic surroundings))) could feed into our research and reporting to root them in memories and emotion. 

#2 Cooked data and being walked as research

Wednesday 27 November 2024

Facts! Stats! Dates! Data! Evidence! In order to move and make decisions, ecological management hinges on gathering of raw objective, impartial, out-there data. In this session, we’ll explore how this ‘raw’ data is in fact…always cooked. 

We will sieve through the ways we write ourselves into the research…and the research writes itself on us. How might your fieldwork be vegetalising you, crystalising you, pollinating you, soaking you and how might recognising that transform our work? 

We will take inside and outside walks with our questions asking how, who, what is shaping them. We will attempt to catch data that might edited out, suppressed, overlooked and make them edible. 

In the company of more-than-human and other-human companions we’ll simmer what would happen if paths forward walked themselves into soily existence?

#3 Emotional geography & love in the time of research

Tuesday 11 February 2025 7-9pm

If {emotions, intuition and feeling} are such an integral part of how we engage and make sense of the world - why are they so often repressed or discredited in our work of conservation and environmental management & policy making?

How we engage with nature individually and institutionally are often very different - we are expected to be objective and {dispassionate} but in doing so, what are we missing in the process? How might bringing those {felt} dimensions into the room shapeshift nature from a resource to be managed to a relationship to be cultivated? How might the addition of {heart} transform how nature is taken care of in England? When should/n’t we bring how we {feel] about the data into how we analyse and make decisions about it?

For our third Department of Artecology research club meeting we will get {emotional} engaging in recent scholarship on the subject and drawing on our own experiences mediated through breaking bread and shaping clay…

#4 KPIS

Friday 9th May 2025, 2-4pm @ London Performance Studios

It’s time for The Department of Artecology #4 and this time we are getting awkward and talking the numbers! We are unpicking that pesky techno-managerial acronym, the ‘KPI’ or ‘Key Performance Indicator’ looking at the performativity of data through…performance. Governments, local authorities, businesses, your line managers are looking for the ‘evidence’ in order to act but how much is enough and, do we really have an information gap or an action gap? What numbers do The Powers That Be need to see - figures towards economic growth or tree growth? Oh and by the way…how do we respond to the demand for impact with diminishing budgets £££? How do we handle the demand to ‘demonstrate impact’ when the real ROI we’re seeking is a cessation of climate breakdown and increase in biodiversity? How do we move beyond the timeframe of the financial year to accommodate the long-term, far-sighted work needed and devise new measures of success beyond quantified, measured (and often financial) units. Dancing around the data; pirouetting around powerpoint-less-ness; acting and taking-action around environmental acts, join me for an afternoon thinking through new shapes of impacting and evidencing. This session is specially programmed to coincide with my week long seeding space residence at @LondonPerformanceStudios.

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The Gut of a Place (2025)

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Writing the World To Come with Soil Stained Fingers (2024)