I am an English-Jamaican artist and researcher from London. My practice is invested in the politics of ecology, particularly in England and the possibilities of artistic methods in rehearsing more equitable and liveable worlds. I explore sensory and bodily knowledges as a way of reclaiming our relationship to place and my work takes the form of tactile objects, sensory installations, hand-made moving images, audio experiments and publications. Recent projects have included investigating notions of Britishness through the spread of the ‘invasive’ Muntjac deer; a heat-reactive installation for visitors to embody the uneven distribution of rising temperatures; performances for London’s polluted waters and surfacing relationships to soil and water through a pop-up cafe experience. 
My physical work is activated by a facilitation practice that invites audiences closer into dialogue and creates space for theory to emerge. I run Ground Provisions, a ‘schooled-by-the-forest’ for adults and The Department of Artecology, a space for transdisciplinary conversations in the conservation sector. I am a Volunteer Ranger for London National Park City and am currently researching for my PhD, "Touch as method for critical ecological stewardship in England: a hands-on artist-led intervention” at Goldsmiths University of London.